day 384 – four paintings that i bought in india

I haven’t “studied” art since I graduated from art school about five years ago. My education in that field has been through my own art practice, meeting people, seeing other people’s works at galleries, museums, books, and very often through various online sources.

Today I’m presenting four paintings that blew my mind when I went to India in 2009. They were so impressive that I bought and brought them back to Canada for my education. If you click on the images below, you can see high-resolution version of them with a lot of intricate details. My own artworks have been quite a bit more intricate and detail-oriented since I encountered these paintings. You’ll know what I mean if you enlarge those images, so click click, click on the images!

Sorry for the reflection/glare on the glass surfaces. I didn’t go the extra mile to set them up to reduce it when I photographed them at home.

The paintings above are a diptych.

Left:
Portrait of Mumtaz Mahal (Shah Jahan’s Wife) in the Palace with Taj Mahal as Background
Paint, cut ruby and emerald on carved composite board made of camel bone powder
305mm x 230mm (framed: 410mm x 480mm)
Circa 1990-2009 India

Right:
Portrait of Shah Jahan in the Palace with Taj Mahal as Background
Paint, cut ruby and emerald on carved composite board made of camel bone powder
305mm x 230mm (framed: 410mm x 480mm)
Circa 1990-2009 India

 

Left:
Portrait of Tibetan Deity Samvara (painted by a Buddhist monk)
Paint and gold leaf on prepared cloth
650mm x 482mm (framed: 753mm x 590mm)
Circa 1990 – 2009 Tibet

Right:
Portrait of Tibetan Buddhist Guru Padmasambhava (painted by a Buddhist monk)
Paint and gold leaf on prepared cloth
587mm x 481mm (framed: 707mm x 604mm)
Circa 1990 – 2009 Tibet


day 381 – four old postcards of scenes in japan that evoke a sense of wonder and/or intrigue

1. A pasture near Sapporo. (top left)

2. A sacred bridge in Nikko. (top right)

3. A buddhist temple in Awajishima. (bottom left)

4. A view of the cherry blossoms from the hilltop at Tsuyama Castle. (bottom right)


day 380 – four plastic cases for keeping deciduous teeth

1. This post was inspired by two other tooth-related posts.

2. These cases were found under a shelf after a coffee mishap.

3. I do not have any baby teeth left.

4. Some people are known to have a third set of teeth.


day 375 – four smiling monsters in lieu of a greeting

1. Schmoozy     2. Dependable

3. Absentminded     4. High-strung


day 358 – four skeins of handspun yarn


day 355 – four things that were on my porch





day 339 – four cherished works of art

TOP LEFT An illustration by the Canadian cartoonist Seth. Last I checked, Seth doesn’t sell the original art from his comic pages. I believe he sells the roughs, and he also sells loads of his illustration work, but not the finished comic originals.

TOP RIGHT A self portrait by Canadian artist Julie Doucet. I can’t remember if this is a panel from one of her comic books or not, but I think it is.

BOTTOM LEFT Page 2 of Betty & Veronica Summer Fun #28 from 1966 by Dan DeCarlo. DeCarlo is the artist responsible in large part with the look/style associated with Archie and the teens from Riverdale. His brushwork is some of the best in all of comics – ever.

BOTTOM RIGHT Self Portrait of an Artist Worrying About His Next Book by Dr. Seuss, signed/numbered by the artist (121/495). His next book after this painting, by the way, turned out to be Green Eggs and Ham.


day 338 – four indispensable comic collections

I’m going to talk about comics today. All weekend, the 2011 edition of the Central Canada Comic Con is happening at the Winnipeg Convention Centre, so this is about as timely as a post about comics can get. I don’t plan to attend the comic convention, but that’s just me.

TOP LEFT The Smithsonian Collection of Newspaper Comics (1977), edited by Bill Blackbeard and Martin Williams
This book is excellent. It contains a broad overview of every significant comic strip from the 20th century. There are more comprehensive collections that exist of the individual titles contained therein (I’d recommend the beautifully-reproduced collections from Sunday Press Books), but the history written about each strip and the spectrum of genres makes this an essential collection. If you’re at all interested in nerdery like this, you should add this to your bookshelf today.

TOP RIGHT Amazing Spider-Man Omnibus Vol. 1 (2007), collecting Amazing Fantasy #15, The Amazing Spider-Man #1-38, The Amazing Spider-Man Annual #1-2, Strange Tales Annual #2 and The Fantastic Four Annual #1
Sure, you can buy countless comic collections containing the work of Stan Lee, the writer of this collection. The main selling point of this collection, though, is that it contains Steve Ditko‘s complete Spider-Man run. Ditko, the reclusive artist of these issues, is an absolutely fascinating character:

  • Stan Lee was fervently left wing, while Steve Ditko was a hardcore right winger. This is especially hilarious as another character Ditko created around the same time, Dr. Strange, was embraced by the psychedelic generation (Ditko hated this).
  • Without warning, Ditko left Marvel Comics and the character (Spider-Man) he helped create.
  • I mentioned Ditko was reclusive, and boy is he ever. There are only a few known photographs (and a self portrait) of the man and he doesn’t do interviews. For someone who created the look of one of the world’s most iconic superheroes, that’s very odd.
  • He is a strong believer in Ayn Rand’s Objectivist philosophy.

There is an engrossing BBC documentary by Jonathan Ross, In Search of Steve Ditko, that covers most of this. If you watch the documentary, you’ll be treated to legendary comic creator Alan Moore reciting a poem he wrote about Ditko’s really bizarre creator-owned superhero Mr. A. Documentarian Ross also has a piece for The Guardian here.

Aside from Ditko’s crazy backstory, his Spider-Man comics are superb; Ditko is a master visual storyteller, and there’s something appealing and just a little bit off-kilter about his work. In terms of classic superhero comics, this is one of the best collections available.

BOTTOM LEFT The MAD Archives Vols. 1 and 2 (2002 & 2007), collecting MAD Magazine #1-12
I’m not sure what needs to be said about MAD Magazine. Most people are familiar with the satirical magazine, but these volumes are vital because they show where the magazine started: as a comic magazine. Do yourself a favour: go read some classic MAD issues and laugh along with the Usual Gang of Idiots.

BOTTOM RIGHT It’s a Good Life, if You Don’t Weaken by Seth (1996), originally published in Palookaville #4-9
Seth’s drawing in this volume is his best, in my opinion. It’s fluid, lively and nostalgic, and displays great emotion. His more recent work, while still impressive, has veered into more simplistic and stylized territory. I select this volume to represent modern cartooning. It’s difficult to do this, what with so many other incredible artists and storytellers producing stellar work, but I suppose I discovered It’s a Good Life, if You Don’t Weaken at an impressionable age (16) and it’s stuck with me ever since. All of my subsequent comic purchases have been informed by this one comic.

Go read some comics.


day 332 – four silkscreened posters

posters

Thought I’d wrap up the week with a sampling of my poster and print collection. The art & culture of movies, music and toys are my passion and daily inspiration. Welcome to the walls of my apartment.

“Dummie Car” by Doma Collective
“Made in Japan” by Tim Biskup
“Life is Sweet” by Buff Monster
“Uncle Boonmee” by Chris Ware


day 331 – four M1go kaiju figures

M1go

Kaiju (怪獣 kaijū) is a Japanese word that means ‘strange beast,’ but often translated in English as ‘monster’. Specifically, it is used to refer to a genre of tokusatsu entertainment” (Wikipedia)

Above are four of my favourite Kaiju figures from M1go.

Left to Right:
M1 Woo from Ultraman
M1 Ragon from Ultraman
M1 Matango from “Attack of the Mushroom People”
M1 Chibull Seijin from Ultra 7